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Creative and Media AI

AI Voice Cloning and Dubbing

Building synthetic voices and multilingual dubbing on a consent framework that would survive scrutiny — documented, specific, revocable, and verified before a single line is generated.

8 to 14 weeks
Typical engagement
Fixed scope
Commercial model
Consent
Verified, revocable

Voice is the most personal thing a generative system can reproduce and the easiest to misuse. The technology has been usable for a while; the part that determines whether a project is defensible is entirely about consent, verification and control.

In one paragraph

Voice cloning creates a synthetic voice model from recordings of a speaker, enabling new speech in that voice. Dubbing applies it across languages, optionally preserving the original speaker's vocal characteristics. Both require the speaker's informed, documented and specific consent.

Before any model is trained, this is established and documented:

  • Informed, specific consent. The speaker knows a voice model will be created, what it may be used for, in which languages and territories, and for how long. Blanket permission is not consent.
  • Verified identity. That the person consenting is the speaker in the recordings, checked rather than assumed.
  • Named prohibited uses. What the voice will never be used for — political content, endorsement, adult content, or anything the speaker specifies.
  • Revocation that works. A defined process to withdraw consent, with the operational consequences understood by both sides before it is needed.
  • Compensation terms. Whether use is per-project, per-use or licensed, agreed rather than left to be argued later.
  • Retention and deletion. How long the model and the source recordings are kept, and what deletion actually removes.
Worth knowing

Existing talent contracts usually do not cover this

Agreements written before synthetic voice existed rarely grant the rights to create a voice model, however broad their language looks. We check rather than assume, and where the position is unclear we go back to the talent for fresh consent rather than relying on an expansive reading of an old clause.

What we will not do

  1. Clone a voice without the speaker's documented consent. No exceptions for public figures, deceased individuals, or recordings that are publicly available.
  2. Build a voice to impersonate someone in order to deceive a listener about who is speaking.
  3. Produce content designed to defeat voice authentication or to support social engineering.
  4. Generate a voice saying things the speaker refused, or that falls inside their named prohibited uses.
  5. Omit disclosure where a listener would reasonably assume they were hearing a real recording of that person.

These are refused whatever the stated purpose, including for testing, demonstration or internal use. A voice model that exists can be misused later, so the control has to be at creation.

Building it well

Record for the purpose where you can

Purpose-made recordings with clean audio and phonetic coverage produce noticeably better results than assembling material from existing content. Where only archive material exists, we say what quality is achievable from it before committing.

Direct the performance, not just the words

Pace, emphasis, warmth and pauses are what make synthetic speech sound intentional rather than merely correct. Script markup and per-line direction are part of the workflow, and they are the difference between usable and uncanny.

Handle the things that break it

Names, technical terms, numbers, acronyms and brand pronunciations need a pronunciation dictionary. This is unglamorous and it is what stops a polished production being undermined by a mispronounced product name.

Dub for meaning, not word count

Translation for dubbing is adaptation — timing, register and cultural fit — and it needs native review. Direct translation produces dubs that are technically accurate and obviously wrong to a native speaker. See AI translation and localisation.

Watermark and log every generation

Audio watermarking where the tooling supports it, plus a log of what was generated, from which model version, by whom and for what. This is how a misuse question is answered later, and it is also what makes revocation enforceable.

Keep a human approval gate

Nothing in a real person's voice publishes without a named human approving that specific output. Generation at volume without an approval step is how a voice model produces something nobody intended.

Process

How the engagement runs

Consent is documented and verified before any voice model is trained.

Weeks 1 to 3

Consent and rights

Talent agreements reviewed, fresh consent obtained where needed, prohibited uses and revocation process agreed.

Weeks 4 to 5

Recording and modelling

Purpose-made recording where possible; voice model built and quality assessed against the intended use.

Weeks 6 to 10

Production workflow

Pronunciation dictionary, direction markup, approval gate, watermarking and generation logging built.

Weeks 11 to 12

Localisation

Dubbing with native adaptation review where multiple languages are in scope.

Weeks 13 to 14

Handover

Workflow, consent register, revocation procedure and approval process handed over.

Deliverables

What you receive

A working voice capability with a consent framework that would survive scrutiny.

01

Consent framework

Documented, specific, verified and revocable, with prohibited uses named by the speaker.

02

Voice model

Built from purpose-made recordings where possible, with achievable quality stated honestly.

03

Production workflow

Direction markup, pronunciation dictionary and a named-human approval gate.

04

Localisation

Dubbing adapted for meaning and timing, with native review.

05

Watermarking and generation log

What was produced, from which model version, by whom, for what.

06

Revocation procedure

A process that works operationally, agreed with the speaker in advance.

Fit check

Is this the right engagement?

Worth being direct. AI Voice Cloning and Dubbing is the wrong spend in some situations, and those are listed rather than buried.

Good fit if

  • Content must ship in many languages with a consistent voice.
  • Narration volume exceeds what studio recording can sustain.
  • A known voice is part of your brand and the person consents.
  • Accessibility requires audio versions of large amounts of content.
  • Talent consent and revocation need a defensible framework.

Choose something else if

  • The speaker has not given, or will not give, documented consent.
  • The intent is to impersonate someone or to deceive listeners.
  • The voice belongs to a public figure or deceased person without an estate's documented permission.
  • A generic synthetic voice would do, in which case an off-the-shelf voice is cheaper.
Questions

Frequently asked questions

Marked up with FAQPage schema so these answers can surface directly in search results and inside AI assistant responses.

Do we need the speaker's permission?

Yes, always, and it must be informed, specific and documented — covering what the voice may be used for, in which languages and territories, and for how long. We do not build voice models without it, including for public figures, deceased individuals or voices available in public recordings.

Do our existing talent contracts cover this?

Usually not. Agreements written before synthetic voice existed rarely grant the right to create a voice model, however broad the language appears. We check rather than assume, and where it is unclear we go back to the talent for fresh consent rather than relying on an expansive reading.

Can a speaker withdraw consent later?

They should be able to, and we build the revocation process as part of the engagement — with both sides understanding the operational consequences before it is needed. A consent framework with no working route to withdrawal is not really consent.

How good does synthetic voice sound now?

Very good for narration, explanation and dubbing, particularly with purpose-made recordings and per-line direction. It is less convincing for emotionally demanding performance, and archive-only source material produces noticeably weaker results. We assess achievable quality against your specific use before committing.

Will you clone a public figure's voice?

No, not without that person's own documented consent — public availability of recordings is not permission. We also decline anything intended to impersonate a person to deceive listeners, or to defeat voice authentication, whatever the stated purpose.

Is this the right engagement?

Tell us what you are trying to build. If a different service fits better, or if you do not need us at all, we will say so.